Another month, another online show! Much of the world feels like it’s on hold right now, but the muse is always working from home (and everywhere else.) This month’s Cambridge Art Association (CAA) show, “Transparency,” focuses on both the physically transparent (water, glass, light etc.) and the emotionally openness that it symbolically represents. I have…
I was glad to hear that a number of my favorite galleries were adapting to the coronavirus situation by taking their shows online. I have two pieces in the new Cambridge Art Association online show “The Experience of Looking.” The first is called “Perpetual Bloom.” The Devil may be in the details, but from the…
Arlington Center for the Arts is a relatively new venue for me, but I’m quite happy with the space! Their latest show, “Nature/Nurture,” is focused on the relationship between humans and the natural world, something I’ve spent a lot of time exploring in the last year or two. “Scorched Earth” focuses on an abandoned mining…
New year, new Cambridge Art Association’s new show, “Liminal Spaces.” This one is all about spaces in between and what it means to belong to two paradigms at a time. My first piece in this show, “Diffusion,” focuses on travel as a time of transition, capturing the frantic bustle of New York’s Grand Central Terminal….
Happy 2020! I’m pleased to start off the year with the acceptance of two pieces in “Broken Beauty,” a Cambridge Art Association-sponsored show focusing on imperfections, flaws and all that’s worn-out but graceful. Two of my Chelsea Portal pieces fit the bill, “Now I Can See the Moon” and “What the Wind Revealed.” Both are…
I just wanted to drop a note about a solo show I currently have running at my favorite local cafe. Simon’s Coffee is a great stop for your daily caffeine fix. And Simon is kind enough to feature They like to use their space to highlight local artists, and this month I have over a…
I’ve written before about Gallery Twist, one of the most unconventional galleries in the area and a personal favorite. The curators, Gillian and John Ross, spend a great deal of time and energy before each show carefully arranging the art through their beautiful old house in Lexington, Massachusetts. It’s a much more natural environment than…
The Arlington Center for the Arts is new to me, but I’m very excited to have a piece accepted for the Center’s upcoming show, “Very Superstitious.” The exhibition focuses on symbols and omens with the Halloween season underscoring the theme. Here’s my contribution to the show, “Moon Drops,” a composite piece printed on high gloss metal:…
Gallery Twist always has intriguing shows. I was pleased to learn that nine of my pieces were accepted into the gallery’s “re/ seeing Humdrum” exhibit, which explores the hidden beauty in everyday things. Here are some of the selected pieces: Kitchen Pals (Metal print) Curio Spice Store (Metal print) Piano Soundboard #1 (Metal print) Piano…
I’m pleased that my photograph, “Around Ubehebe Crater,” was accepted into The Open Photo Exhibit, which was sponsored by Cambridge Art and juried by Boston MFA Curator Karen Haas. I’m especially honored since 172 artists from across the US submitted 650 pieces, of which 59 were accepted. Here’s my statement: Covered in grey-black volcanic ash,…
